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The Call of the Wild (Dumbo Feather) →

September 04, 2019

That the wild emanates an incessant beckoning call is no secret. Jack London’s masterpiece, The Call Of The Wild, is named after it. London describes the magnetic pull of the wild, “deep in the forest a call was sounding, and as often as he heard this call, mysteriously thrilling and luring, he felt compelled to turn his back upon the fire and the beaten earth around it, and to plunge into the forest, and on and on, he knew not where or why; nor did he wonder where or why, the call sounding imperiously, deep in the forest.” What’s more, London’s protagonist in this short novel is not a man, as we might assume, but a wild dog. The call of the wild is felt by human and dog alike, and by the primordial wolf within everyone.

But the modern conception of the wilderness is a paradox for us. Whilst it’s a place of undeniable, pure freedom, a place that we are naturally called to, it’s commonly defined as a land free from the exploits of humanity. It follows that, in a sense, we are always visitors in the wild. Of course, we can travel into the depths of the wilderness, even live in it, but the extent to which the wilderness continues—because it, like everything, can be extinguished—is the extent to which humanity, we, understand our role within it. Experiencing a place that is by definition fundamentally seperate from us, allows for a penetrating lesson in what it is, conversely, to be human. Being in the wilderness prompts the willing towards an exploration of what it means to be a human in this world.

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Read the full article ↩︎

Source: https://www.dumbofeather.com/articles/lessons-from-wilderness/
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I could have been on a boat

would have liked to

a boat would be nice but

if I can’t have a boat

I would like to just fall asleep

when my credits roll

to fall asleep right at the end

at that small jut

where the audience thinks maybe

there’s another scene surely

it can’t end now

and they don’t know

or want to but wait

to see if the darkness continues

then music begins from

somewhere behind and

the words rise up

the credits roll

I’d just fall asleep then.

Imagine

having five grand.

(overheard)

When the sun sets

before the night

and I’m riding

down the three-lane

barely lit, moving,

knuckles white

the rushing air from passing cars

to my right;

the curb is always close.

There’s a certain numbness:

winter’s night,

gloveless hands, lost

love, depression –

moving towards the orange light,

near red.

I grip the bars,

shaking,

facing the intersection

and sailing through,

nearly missing.

The sound of a rock

underarmed

into the shallows

is louder than

the sound of a thousand

handfuls

of tossed sand.

The gait of a wingless bird

inside a circle

of hands and feet.

Sometimes I feel like a brick.

A brick in a pavement,

on a wall,

up a church,

inside a chimney.

There are other bricks.