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Setting Sail (Gippslandia) →

March 10, 2020

My father entered me into a regatta over the Easter break. I was ten, maybe eleven. I remember wondering if it mattered that I hadn’t, in fact, ever sailed before. If my ineptitude was cause for concern then surely my father — who, in my qualified opinion, was certainly the best sailor on the Gippsland Lakes — would have said something. I knew how to tie a bowline knot and I had a new life jacket. I also had a boat. It was a cadet — a standard boat for Australian youth — called Windquest. I hoped it knew what to do.

I was sitting in a room with all of the other young sailors. An adult, who seemed to be in charge, was drawing the infinity symbol with a marker on a whiteboard. Apparently that was the course: infinity. The girl next to me looked up, nodded and drew the course with her finger in the air, memorising it. I had been hopeful up to this point, but now I was utterly confused. Then we left the room to get race ready. Some kids stayed back to study infinity.

We launched the boats. There was not much wind. People were so helpful on land (a kid I befriended pretty much rigged my boat up for me) but now I was alone, bobbing on open water. Flags went up and down, someone signalled at timed intervals with an air horn, boats converged, the race was imminent. The next bit happened way too slowly.

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Read the full article ↩︎

Source: https://gippslandia.com.au/setting-sail/
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I could have been on a boat

would have liked to

a boat would be nice but

if I can’t have a boat

I would like to just fall asleep

when my credits roll

to fall asleep right at the end

at that small jut

where the audience thinks maybe

there’s another scene surely

it can’t end now

and they don’t know

or want to but wait

to see if the darkness continues

then music begins from

somewhere behind and

the words rise up

the credits roll

I’d just fall asleep then.

Imagine

having five grand.

(overheard)

When the sun sets

before the night

and I’m riding

down the three-lane

barely lit, moving,

knuckles white

the rushing air from passing cars

to my right;

the curb is always close.

There’s a certain numbness:

winter’s night,

gloveless hands, lost

love, depression –

moving towards the orange light,

near red.

I grip the bars,

shaking,

facing the intersection

and sailing through,

nearly missing.

The sound of a rock

underarmed

into the shallows

is louder than

the sound of a thousand

handfuls

of tossed sand.

The gait of a wingless bird

inside a circle

of hands and feet.

Sometimes I feel like a brick.

A brick in a pavement,

on a wall,

up a church,

inside a chimney.

There are other bricks.