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A Reflection on Walking (Dumbo Feather) →

March 08, 2016

I was standing at the Southern Terminus of the Pacific Crest Trail (PCT) with an entire country in front of me. I was 65km east of San Diego and the U.S/Mexican border fence threw shadows across the red dirt. The great American expanse stretched out before me as the sun rose, revealing the burnt landscape of the Mojave Desert. I was with a young man from Oklahoma that I had met the night before. After a nervous laugh that lingered underneath the cloudless sky we started walking.

I had been preparing for this 4265km hike that snaked up the west coast of America for over a year. I wondered how many consecutive horizons I would reach on my adventure from Mexico to Canada. I was far away from home. For the next five months my waking hours would become fragmented into times when I was walking and time when I wasn’t. The PCT would present me with extraordinary beauty and revelations, but none more valuable than the art of walking. What I discovered all stemmed from a commitment to a seemingly straightforward act: walking. It became my practise, my craft, my guide and my teacher.

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Read the full article ↩︎

Source: https://www.dumbofeather.com/articles/walking-the-pacific-crest-trail/
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I could have been on a boat

would have liked to

a boat would be nice but

if I can’t have a boat

I would like to just fall asleep

when my credits roll

to fall asleep right at the end

at that small jut

where the audience thinks maybe

there’s another scene surely

it can’t end now

and they don’t know

or want to but wait

to see if the darkness continues

then music begins from

somewhere behind and

the words rise up

the credits roll

I’d just fall asleep then.

Imagine

having five grand.

(overheard)

When the sun sets

before the night

and I’m riding

down the three-lane

barely lit, moving,

knuckles white

the rushing air from passing cars

to my right;

the curb is always close.

There’s a certain numbness:

winter’s night,

gloveless hands, lost

love, depression –

moving towards the orange light,

near red.

I grip the bars,

shaking,

facing the intersection

and sailing through,

nearly missing.

The sound of a rock

underarmed

into the shallows

is louder than

the sound of a thousand

handfuls

of tossed sand.

The gait of a wingless bird

inside a circle

of hands and feet.

Sometimes I feel like a brick.

A brick in a pavement,

on a wall,

up a church,

inside a chimney.

There are other bricks.